Inspired by Our Lands…Made by Our Hands Life here can test the human spirit, but Montanans have found many ways to express their relationship with the land. Something in Montana's landscape nudges, pushes, and even shoves the creative spirit. Born deep in that landscape, folk/traditional arts spring from the needs of a community. While having a use, the work of the quilter, the saddlemaker, the ironworker, the parfleche maker, and the potter also are visible evidence of who we are. Because these artists are just around the corner or down the road, they often are over-looked, even "hidden in plain view." To celebrate Montana's heritage and showcase the folk arts, the Montana Arts Council began the Montana's Circle of American Masters in the Folk and Traditional Arts. This program recognizes Montana folk artists for artistic excellence in their work, along with their help in preserving the state's cultural heritage.
What are visual folk and traditional arts?
The visual folk and traditional arts include fine handcraft and decorative arts that are indigenous to a community (ethnic, geographic, linguistic, religious, occupational) or family. They reflect the aesthetics and values of the community in which they arise and are often symbols of a group's identity. Examples include (but aren't limited to) quilting, beading, saddlemaking, tole painting, ledger art, or calligraphy. Dance, songs, poetry, instrumental music, storytelling, and local architecture are forms of traditional arts not designated as visual.
Traditional arts are learned informally, through careful observation and practice, usually from elders and masters and often passed on from one generation to the next. They can be self-taught within a tradition.
The folk arts are complex with a diversity of aesthetics requiring a broad range of criteria to encompass all the art forms. Consideration must be given to the traditional methods and techniques used, the skill of the artist, and the method in which they learned their art.
This award focuses on master artists, how they learned their art form, their body of work, and their contribution to their community and art form. As the embodiment of a tradition, the body of art should be of high quality, considering aesthetic excellence, workmanship, and authenticity. The artist's contribution should speak to how a cultural way has been sustained.
The aesthetic qualities of the body of work depend on its design and how that design creates visual appeal, marries with the materials, and satisfies function. The design:
The technique with which the art is executed in the body of work is important both to enhancing the design and in fulfilling the intended function of the pieces. The work:
The authenticity of the work speaks to both honouring the past and giving to the future. The body of work of a Master artist:
Traditional arts are not created in a vacuum. Therefore it is important that the selection criteria for a Master include the individual's contribution to the community through sharing the art form and raising public awareness. A Master is: